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    Articles,  Canadian Festival Report Card

    2018 Canadian Festival Report Card

    March 6, 2019 /

    The 2018 Canadian Festival Report Card is here, and the results are heartening. Canadian Festival Report Card: 2018 Highlights 57 festivals were graded at an ‘A,’ up from 34 in 2017 113 festivals were graded Every province and territory in Canada is represented in this report card As a group, these 113 festivals get a ‘B’ grade, booking 43% women-identifying or non-binary artists (up from 36.5% women-identifying or non-binary artists in 2017) This is a big improvement, but we have questions: are women getting headlining slots? Are racialized and LGBTQ artists getting booked? Are women, racialized people, and LGBTQ people getting paid equally in comparison to their white, straight, Cis,…

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We sing on a Secret Frequency

Secret Frequency (formerly Canadian Women Working in Music) is and education and advocacy not-for-profit dedicated to raising the profile of under-represented people within Canada’s music community – women, trans and non-binary folks, racialized and Indigenous people, and more.

We’d like the music community to be as awesome as it pretends to be.  We want it to be a safe, good place to party, to create, and to work.

We’re ready to rock the boat, even if it’s the boat that some of us are sitting in; no organization or individual should be above question or consequences.

If you don’t invite us to the table, we’ll show up anyway, and we’ll bring our own chair.

We produce the annual Canadian Festival Report Card, grading Gender representation on Festival stages, skills workshops, research, and more.  We aim to create initiatives with demonstrable, measurable impact, which are also accessible and modular, designed to be shared and implemented by other organizations.

  • About
  • Canadian Festival Report Card
  • Artist Features
  • Resources
  • Artist Database
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