Secret Frequency – Music, Community, and Ideas

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  • Canadian Festival Report Card
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  • Wavelength Winter Festival
    Grade A Festivals

    Wavelength Winter Festival

    February 5, 2020 /

    Wavelength Winter Festival has received an ‘A’ on the Canadian Festival Report Card for the past three years. Visit their website for tickets and lineup info for 2020!

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    Ness Creek Festival

    April 15, 2020
    Lawnya Vawnya

    Lawnya Vawnya

    March 11, 2020
    Winter Folk Camp

    Winter Folk Camp

    February 19, 2020
  • 2019 Canadian Festival Report Card
    Canadian Festival Report Card

    2019 Canadian Festival Report Card

    January 21, 2020 /

    The 2019 Canadian Festival Report Card is here! Canadian Festival Report Card: 2019 Highlights 54 festivals were graded at an ‘A,’ down from 57 in 2018 (booooo) 116 festivals were graded Every province and territory in Canada is represented in this report card, for the third year in a row. However, many of the provinces/territories only have a few festivals listed, and we need to work in future to increase the numbers of festivals graded. As a group, these 116 festivals get an ‘A’ grade, booking 46% women-identifying or non-binary artists (up from 43% women-identifying or non-binary artists in 2018) This is a heartening result, as it means that overall,…

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    2019 festival report card

    The Big Count – 2019 Festival Report Card

    June 18, 2019
    Eaglewood Folk Festival

    2015 Festival Report Card

    September 12, 2015

    2017 Canadian Festival Report Card

    November 12, 2017
  • Uncategorized

    Criteria – Canadian Festival Report Card

    January 21, 2020 /

    Canadian Women Working in Music releases an annual report card scoring festivals on the gender parity and gender representation in their lineups. We call for Canadian festivals to ensure that 50% of all bands/artists in their lineups be either led by women-identifying, transgender, or non-binary people. For the purposes of this research, CWWIM defined “Women fronted” “Transgender-fronted,”or “non-binary fronted” bands as any band appearing at a festival which was: a solo woman-identifying, transgender, or non-binary performer a duo or trio with at least one woman-identifying, transgender, or non-binary performer a larger group in which a woman-identifying, transgender and/or non-binary people play a significant role (more than a backup singer or…

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    MarieLynnHammond-photo-by-Kate-Morgan-Images-300x195

    2016 Canadian Festival Report Card

    December 10, 2016
    Canadian Festival Report Card

    2014 Canadian Festival Report Card

    September 12, 2014
  • 2019 festival report card
    Canadian Festival Report Card

    The Big Count – 2019 Festival Report Card

    June 18, 2019 /

    We need your help with The Big Count 2019 for the Canadian Festival Report Card!La traduction française suit ci-dessous (nos excuses pour le mauvais français!) You can find the form to submit a festival here. As we’ve done for the past few years (2016, 2017, 2018), we’re collecting data on festivals and music series to find out how many women-identifying, transgendered, and non-gender-binary people are being presented at festivals and concert series across Canada. This year we’ve also added a category for other visible minorities, like racialized and Indigenous people. What we need from you is to choose a festival, give us a link to their lineup online, and a count…

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    A short list of women and gender non-conforming Canadian artists

    April 8, 2018
    2019 Canadian Festival Report Card

    2019 Canadian Festival Report Card

    January 21, 2020
    Canadian Festival Report Card

    2014 Canadian Festival Report Card

    September 12, 2014
  • 2018 festival report card
    Articles,  Canadian Festival Report Card

    2018 Canadian Festival Report Card

    March 6, 2019 /

    The 2018 Canadian Festival Report Card is here, and the results are heartening. Canadian Festival Report Card: 2018 Highlights 57 festivals were graded at an ‘A,’ up from 34 in 2017 113 festivals were graded Every province and territory in Canada is represented in this report card As a group, these 113 festivals get a ‘B’ grade, booking 43% women-identifying or non-binary artists (up from 36.5% women-identifying or non-binary artists in 2017) This is a big improvement, but we have questions: are women getting headlining slots? Are racialized and LGBTQ artists getting booked? Are women, racialized people, and LGBTQ people getting paid equally in comparison to their white, straight, Cis,…

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    Listening to 2012 Festival Submissions: Part 2

    June 3, 2013

    A brief commentary on band websites and bios

    February 29, 2016

    Help Me Promote You

    October 10, 2012
  • BAND PROMO 101
    Events

    Workshop: Band Promo 101 – Toronto

    March 6, 2019 /

    BAND PROMO 101 – A workshop to help you stop pissing off bookers and promoters and get more gigs.Saturday, March 23, 12:30pm – 4:30pmTrinity-St. Paul’s United Church and Centre for Faith, Justice and the ArtsThis venue is physically-accessible. The closest subway station is Spadina.We encourage women, racialized people, LGBTQ people, to attend. Workshop Fee $50; limited scholarships available. Contact candace@secretfrequency.ca for details BUY TICKETS HERE Promoters, Bookers, Agents, and Publicists may love your music, but may be quietly cursing you as they try to promote you. Do you have your promotional materials in place? Are they the right things? Do you know what you need? Do you know why it’s…

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    Music City – A strategy

    April 7, 2016
    The Conductor

    The Conductor – You’re Invited!

    March 13, 2020

    Ideas: the difference between a folk festival and a music festival

    November 12, 2013
  • Secret Frequency
    Grade A Festivals

    CWWIM changes to Secret Frequency

    March 5, 2019 /

    It’s time for a change that reflects our expanded goals, and while we will continue to advocate for women in the Canadian music industry, we feel that our mandate should be much broader and allow us to advocate for under-represented people in the music industry as a whole. So we’re changing our name, from Canadian Women Working in Music to Secret Frequency – it will reduce confusion with other advocacy groups in Canada, and ensure that you find us when you look for us. Secret Frequency has existed in some form or another for nearly twenty years, as the online home for Candace Shaw and the artists she has worked…

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    Halifax Urban Folk Festival

    August 5, 2020

    Dawson City Music Festival

    April 22, 2020
    Ottawa Grassroots Festival

    Ottawa Grassroots Festival

    March 4, 2020
  • Articles,  Big Ideas,  Canadian Festival Report Card

    The Big Count 2018 – Canadian Festival Report Card

    April 27, 2018 /

    We need your help with The Big Count 2018 -for the Canadian Festival Report Card! La traduction française suit ci-dessous (nos excuses pour le mauvais français!) As we’ve done for the past few years (2016, 2017), we’re collecting data on festivals and music series to find out how many women-identifying, transgendered, and non-gender-binary people are being presented at festivals and concert series across Canada. What we need from you is to choose a festival that doesn’t appear on the list below and give us a link to their lineup online and a count of the number of women-fronted, men-fronted, transgendered-fronted and non-gender-binary-fronted people are included. It can be a festival that…

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    Candace 0 Comments

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    On not getting gigs or grants - ChocQuibTown at The Distillery District

    On not getting gigs or grants.

    July 30, 2015
    Secret Frequency

    What goes in an EPK?

    October 15, 2014

    Listening to 2012 Festival Submissions: Part 3

    June 3, 2013
  • Artists,  Big Ideas,  Canadian Festival Report Card

    A short list of women and gender non-conforming Canadian artists

    April 8, 2018 /

    ETA: Because this is awesome, we’re creating an accessible database for Trans folks, Non-Gender-Binary folks, and Women to add themselves and/or their bands so that bookers can find them.  We launched it in Winter 2020; you can check it out here (and also add yourself or your band!).  All of the artists in this short list are also in the database! ETA 2: When this post was originally published in Spring 2018 on our old website, it generated 138 replies from members of the community, listing more than 600 artists and bands.  We’ve collected this information in the database above, and are looking for volunteer to help flesh out the…

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    Artist Spotlight: Unbuttoned

    August 20, 2013

    Artist Spotlight: Raging Asian Women

    October 1, 2013
    Laila Biali

    Artist Spotlight: Laila Biali

    February 14, 2020
  • Canadian Festival Report Card

    2017 Canadian Festival Report Card

    November 12, 2017 /

    The 2017 Festival Report Card is here! For the past twenty years, the music industry has seen its stages dominated by men in most genres and scenes.  With the exceptions of the occasional women-focused festivals, like Lilith Fair, women have tended to see very little representation on stages, and nowhere is that more noticeable than at a festival, where sometimes hours can pass before a woman, a racialized person, or an LGBTQ, Two-Spirited, or Gender Non-Binary person walks on stage as a member of a band. With that in mind, we’ve been tallying up the numbers, and are presenting them below. We’d like to give a huge thank you to…

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    Candace 0 Comments

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    Canadian Festival Report Card

    2014 Canadian Festival Report Card

    September 12, 2014
    2018 festival report card

    2018 Canadian Festival Report Card

    March 6, 2019
    Eaglewood Folk Festival

    2015 Festival Report Card

    September 12, 2015
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We sing on a Secret Frequency

Secret Frequency (formerly Canadian Women Working in Music) is and education and advocacy not-for-profit dedicated to raising the profile of under-represented people within Canada’s music community – women, trans and non-binary folks, racialized and Indigenous people, and more.

We’d like the music community to be as awesome as it pretends to be.  We want it to be a safe, good place to party, to create, and to work.

We’re ready to rock the boat, even if it’s the boat that some of us are sitting in; no organization or individual should be above question or consequences.

If you don’t invite us to the table, we’ll show up anyway, and we’ll bring our own chair.

We produce the annual Canadian Festival Report Card, grading Gender representation on Festival stages, skills workshops, research, and more.  We aim to create initiatives with demonstrable, measurable impact, which are also accessible and modular, designed to be shared and implemented by other organizations.

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